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FORME°

Studio FORME · Copenhagen

21 pieces, made properly

A permanent catalogue rather than a collection. Specified in millimetres, built to be taken apart, and revised when the drawing improves — never replaced because the season changed.

21
Pieces
5
Designers
10 yr
Parts guarantee
Living room with a linen sofa, low oak table and stoneware vessels
01Position

We publish drawings, not seasons

Every piece has a reference number and a dimensioned drawing, and both stay the same for as long as the piece is made. When we improve something we revise the drawing and keep the number, so a chair bought in 2019 still takes the same replacement parts.

02Shop the roomAll rooms →

The Living Room

A third-floor flat with north light for most of the day. Everything sits low so the window line stays uninterrupted from the doorway.

Calm living room with a linen sofa, low oak coffee table and a plant in the corner
03CatalogueEverything →

Four categories

Seating, tables, lighting and objects. Twelve pieces in total, which is the number we can make properly.

04In detail

FS-04 Lounge Chair

FS-04 Lounge Chair in natural linen with a low seat
W 720H 690
Width720 mm
Depth810 mm
Height690 mm
Seat height380 mm

Foam collapses. It is cheap, comfortable on day one, and measurably worse every year after. This chair uses a natural latex core over a horsehair pad, which is roughly four times the material cost and holds its shape for decades rather than years. The recline is fixed at 14° because an adjustable mechanism would add a moving part to a chair with none, and 14° is the angle at which the lumbar support does its work without making the chair hard to leave.

Lounge Chair2.340 €

Added to the catalogue

Daylight falling across a plain interior wall

06 — On materials

Solid timber moves. We design for it.

A 900mm-wide solid oak top expands and contracts by up to 8mm across the grain between a humid Copenhagen summer and a heated winter. Most furniture ignores this, which is why tabletops split along a glue line after five years.

Our tops use breadboard ends — cross-grain pieces attached with drawbored mortises and elongated pegholes — so the panel can move without tearing itself apart. It is slower, it costs more, and it is the difference between furniture that lasts a decade and furniture that lasts a lifetime.

The same logic applies to the frames, which are bolted rather than welded so they can be flat-packed up a narrow stairwell, and to the finishes, which are oils rather than lacquers so a mark can be sanded out locally.

About the studio →

Three interiors, fully shoppable